american landscape painting

american landscape painting
english landscape painting
impressionist landscape painting
could hardly answer calmly. Everybody around her was gay and busy, prosperous and important; each had their object of interest, their part, their dress, their favourite scene, their friends and confederates: all were finding employment in consultations and comparisons, or diversion in the playful conceits they suggested. She alone was sad and insignificant: she had no share in anything; she might go or stay; she might be in the midst of their noise,
oil painting
or retreat from it to the solitude of the East room, without being seen or missed. She could almost think anything would have been preferable to this. Mrs. Grant was of consequence: _her_ good-nature had honourable mention; her taste and her time were considered; her presence was wanted; she was sought for, and attended, and praised; and Fanny was at first in some danger of envying her the character she had accepted. But reflection brought better feelings, and shewed her that Mrs. Grant was entitled to respect, which could never have belonged to _her_; and that, had she received even the greatest, she could never have been easy in joining a scheme which, considering only her uncle, she must condemn altogether.